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Sean McDonnell

 

Lime

 

I want to call it boredom,
and the kind of grief
bred in alleys lost to summer dust

that made us think to lime the stream
made sense somehow,
as if to pour in powdered rock until

the slow brown boiled with foam
would prove…, would loose
the tight air pooled like acid in our ribs.

Dead already, our fathers said,
the water stung with the drainage from the mine
so the algae had long ago choked

and those few from town bold
or dull enough to swim
afterwards would claw their scaling skin for days.

And so when Doug,
the large-jawed boy we feared and loved
for how his bruised arms darkened in the sun,

split the bag we’d stolen from the quarry,
stone dust sugaring the water surface,
an effervescent hiss

staining the warm noon air,
we couldn’t press around him fast enough
for what came next.

A brown trout large as my forearm
flipped thickly to the bank,
all muscled spine thrashing in saw grass.

Honeyed slime dripped from its skin.
Damp white powder caked on its pupil,
eating in, eating in

until its eye globe burst, sunk
into itself on the weed-thick bank
we left behind us, in the haze of years to rot.

 

 

 

Barnstorm
 

I walk in the field.
An old Dutch barn
leans forward on its limestone haunch
as though it smells me.
Knows I’m there.

Hillside oaks throw fistfuls of air
across the cold mud meadow,
wanting their leaves back.
Rainclouds, in the ridge-split
distance, loom.

In the warped boards over the barn door,
a hex sign breaches the coarse grain surface:
its red design starred on the white disc,
scarring it with thick, crude strokes.
Day grays. The winds rise. A bloody eye,

it neither blinks nor sees me. I walk inside.
The must of sheep and ancient hay
thickens in my throat, coating my tongue
with its blood-tale. Too long, it says,
too long away, and it comes:

some part of me could die here,
lie down inside this fetid sweetness,
house of slaughter, house of love,
where the wind through the worm-holed wood
murmurs, almost human:

nobody nobody nobody